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How To Visualize Every Note On The Fretboard

May 28, 2009

How to visualize every note on the fretboard


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Master one key first

When I started this series of articles I promised you that if you stayed in the key of A-Minor/C-Major long enough, I would teach you to name any note on the fretboard in as little as a day. Well here's the simplest and easiest way to do this. But it will only work as well as your ability to visualize the A-Minor/C-Major scale. If you don't feel very confident at this yet, be sure to stay in that key for a month or two. Don't practice playing in any other key until this one is thoroughly embedded in your brain. It will be ten times easier to learn the other keys when you master this one first.

Three small patterns to learn

Now the next step is to learn the notes within these three little patterns:


When you master the A-Minor/C-Major scale and you can name the notes instantly within these three patterns, then you know all the notes of the fretboard. Because you can always find one of these shapes where ever you are. Here's how to learn these notes in the fastest way possible:

The quick method

1. Draw up one of the shapes on a piece of paper, but only put a name on the first note like this:


This gives you an A-shape, a B-shape and an E-shape. As always, focus on mastering one before you go on to another. And if you master the A-shape first, the other ones will be quite easy because they contain the same pattern. Start by focusing only on this part of the A-shape:


The four note core

These four notes repeat themselves in the other two patterns. It's obvious to spot them in the B-shape and you'll see them in the E-shape as well. Now teach yourself to name any note with this four note shape. You might want to take a piece of paper and draw a big version of these four notes without the names on them. Then you can look at that paper and visualize the names of the notes whenever you have 10 seconds to spare. How much time do you think need in order to learn this pattern?:



Now of course it's important that you learn and forget it, learn it and forget it until you don't forget it anymore. But you can go through this process in a couple of hours: Spend 3 minutes memorizing the pattern, then forget about it, then see if you can still remember it an hour later. If you can, take a two hour break - then come back to it. When you've memorized that pattern. Go on to this one:



You cannot learn the notes just by looking at this pattern. You must create a pattern that only has dots and no names. To learn this pattern you only have to ad two notes to the four notes you already master. Use the same "learn and forget" method to teach yourself this one. Then move on to the B-Shape:



As you clearly see, there are only two more notes to learn here. When you master this one, go back to the A-shape and see how much you've forgotten! When you learn something new that resembles something old, the brain want's to throw out the old because it thinks it doesn't need it anymore. By returning to it and relearning it you tell the brain to hold on to it. Now put your focus on the last pattern:



Notice how you still see the "BCEF" pattern, only it's upside down and split up. When you have memorized the notes within this six note pattern return to the previous pattern and see how much you've forgotten. Then return to the first pattern and do the same. Then return to this one again and make sure that you still remember it.

G-Minor Sweeping Tapping Arpeggio Sequencing Lick



When you have several ways of producing the notes you create more options for yourself. This lick uses quite a few techniques that you can practice seperately. Break the lick down into smaller parts and master one part before you move on to the next.


Improvise and speak the notes out loud

Then start improvising on the two bottom strings while you speak out loud the notes you play. Continue to do this until it's effortless:



Then continue this on the middle and the bottom two strings. Then play all the four notes per string patterns while doing the same. While you are doing all this, you are strengthening your fretboard vision radically. Notice how much better you become at recognizing the different patterns on the fretboard in this process. If you use this step by step method you can develop the ability to name any note in a day. And if you practice this a little each day for a week you'll remember it for the rest of your life. And that's a promise.

 

How To Use All This Now, Now, Now!

May 26, 2009
How to use all this now, now, now!


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A second way of navigating

I'm an impatient guy. I like to be able to use what I learn very fast. This article as about the strategy that I have used to go from playing the standard blues scale pattern, to using all of the fretboard and all of the available scales and arpeggios. It's simple, easy and fun to work with. But first I would like to expand a bit on my last article. Yesterday I showed you how I navigate around the fretboa...

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How To Always Know What Scales To Use

May 25, 2009

How to always know what scales to use


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How to make the right choice fast

In this article I'm going to give you a quick, easy tool you can use to instantly know what scale to play over any rock, pop or metal chord progression. I'm not going to go into the deeper realms of music theory, I'm just going to give you a simple and very effective tool.

So let's say you have to figure out which one of the three scale tools you can use to play a solo. Here are the two things y...

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How To Create The Malmsteen Sound

May 23, 2009

How to create the Malmsteen sound


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Change one note and everything changes

The last tool you need to be able to improvise over any rock, pop or metal chord progression, is the Harmonic minor scale. This scale is our old friend the Minor / Major scale with a slight change and a new name. You take your natural A-Minor scale but change the 7th step and push it up one fret. Here's our well known A-Minor / C-Major pattern:



Now let's push the 7th step up one fret (The G not...


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How To Master The Minor And Major Scales

May 21, 2009
How to master the Minor and Major scales


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The same scale used in a different context

Let's get one thing straight: The "Natural Minor scale" is just your old Minor / Major scale, used over a Minor chord progression. In the last article I covered blues rock and how to mix the "Dorian" scale (Which is still the old Minor / Major scale with a new name!) with the blues scale. To play over chord progressions in a regular Minor key we'll do almost the same thing. We won't ...

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How To Master Blues Rock Scales

May 20, 2009

How to master blues rock scales



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The Blues scale and the Dorian mode

When ever you play solos in a Blues/Rock context you can use the blues scale and mix it with the "Dorian" minor scale. The Dorian scale is just your old regular Minor/Major scale that we've been focusing on in the last couple of articles. But every step in the Major scale has a name of it's own. IF you start on a C and play 7 notes up and down, you'll hear what we call the C-Major scale.

This scale...

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